Programme highlights include keynote lectures by UK-based artist and researcher Susan Schuppli and American philosopher Graham Harman, as well as presentations of new commissioned art works, lectures, discussions and guided walks.
Dark Ecology is informed by the idea that ecology is ‘dark’ (as the American theorist Timothy Morton has argued), because it invites – or demands – that we think about our intimate interconnections with, for instance, iron ore, snowflakes, plankton, or radiation… Ecology does not privilege the human, it is not something beautiful, and it has no real use for the old concept of Nature. What we now know about the impact of human beings on the planet has led to the need to rethink the concepts of nature and ecology, and exactly how humans are connected to the world. This rethinking occurs in philosophy as well as in the arts. Though these issues are relevant anywhere in the world, they are especially pertinent in the Barents Region with its pristine nature, industrial pollution and open-pit mining. Speculation on global warming fuels local economic growth, as the prospects for both the exploitation of the oil and gas reserves below the Barents Sea and the trade through the Northern Sea route are rising. Disparate interests and ‘approaches’ from both sides of the border have to negotiate. This interaction informs the Dark Ecology project, and is a starting point to invite artists and theorists to develop new approaches and new works.
Foto: Katrin Hornek